Local Genius Attribute Bayu Skak's Video Work

##plugins.themes.bootstrap3.article.main##

Gunawan Susilo

Abstract

Communication technologies are developing very quickly, especially Internet-based communications. This corresponds to the evolution of the existing social situation, in particular the use of social networks, which is also growing rapidly. The video site YouTube is an example. Even the use of internet technology has penetrated the business world (industry). The popularity of YouTube social networks encourages users (YouTubers) to use this application or social networks to promote themselves. Bayu Skak is a YouTuber who has successfully established his presence in the video media and has now even appeared on the big screen and television. The main purpose of the qualitative descriptive research is to provide an in-depth description of Bayu Skak's video works, both visual and sound. This study adopts a qualitative descriptive approach. The results of the study show that Bayu Skak's videos on the YouTube channel are an expression of the popularity of the social network YouTube, which provides space for expression. The expression space of YouTubers cannot be separated from industrial packaging, which can combine expression and economy. Bayu Skak uses this space of expression to give his work a strong local genius identity, including the use of East Javanese vocabulary and dialect in his work

##plugins.themes.bootstrap3.article.details##

Section
Articles
References
[1] J. Burgess and J. Green, YouTube : Online Video and Participatory Culture. Polity Press, 2009.
[2] C. M. Annur, “10 Negara dengan Jumlah Pengguna YouTube Terbanyak di Dunia (Oktober 2023),” Databoks. Accessed: Feb. 24, 2024. [Online]. Available: https://databoks.katadata.co.id/datapublish/2023/11/24/indonesia-peringkat-keempat-pengguna-youtube-terbanyak-dunia#:~:text=Menurut%20laporan%20terbaru%20We%20Are,pengguna%20YouTube%20terbanyak%20di%20dunia
[3] “Indonesia. DataReportal – Global DigitalInsights,” Digital. Accessed: Jan. 20, 2024. [Online]. Available: https://datareportal.com/reports/digit al-2021-indonesia
[4] F. A. Alfatah and A. A. Kusumasari, “Promotional Media Design for ‘Cafe Nomu9 Bites & Beverages’ as Brand Reinforcement in Malang City,” Mavis : Jurnal Desain Komunikasi Visual , vol. 3, no. 2, pp. 73–78, 2021.
[5] A. Yulistara, “10 YouTuber Indonesia Dengan Penghasilan Miliaran Rupiah,” CNBC Indonesia.
[6] D. Satriawan, “Rhetoric and Cultural Factors Analisis Retorika Bayu Skak dalam Film Yowis Ben sebagai Media Promosi Bahasa Jawa,” Academia, 2019.
[7] Sugiyono, Metode penelitian kuantitatif, kualitatif, dan R&D. ALFABETA, 2017.
[8] I. S. Wahjuwibowo, SEMIOTIKA KOMUNIKASI EDISI III: aplikasi praktis untuk penelitian dan skripsi komunikasi. Mitra Wacana Media, 2019.
[9] Skak Studio, “daily life analytic.” Accessed: Jan. 12, 2024. [Online]. Available: https://www.youtube.com/channel/UCH6rI2jhtiAEX3oPKPeGaJw
[10] R. Arnheim, Art and Visual Perception : A Psychology of the Creative Eye. University Of California Press, 2004.
[11] A. Ridwan, “Humor Dalam Tablig Sisipan Yang Sarat Estetika,” Jurnal Ilmu Dakwah, vol. 4, 2010.
[12] E. Y. Meidy, “Representasi Budaya Suroboyoan Dalam Film “Yowis Ben 1 Dan 2.” Accessed: Dec. 28, 2023. [Online]. Available: Http://Digilib.Uinsby.Ac.Id/View/Subjects/Bdy.Html
[13] M. A. G. Santo& Ghofur, “Makna Kata ‘Jancok’ Dalam Film ‘Yowis Ben 2,’” Jurnal Nomosleca, 2021.
[14] A. Fauzie and S. Sriyanto, “Penggunaan Kata ‘“jancuk” ’ Sebagai Ekspresi Budaya Dalam Perilaku Komunikasi Arek Di Kampung Kota Surabaya,” Jurnal Psikologi Teori Dan Terapan, vol. 7, 2017.
[15] Subari, S. E. Dewangga, and R. Nurfitri, “Motion Graphic Video Design on Waste Distribution in Malang City,” Mavis : Jurnal Desain Komunikasi Visual , vol. 4, no. 2, pp. 94–103, 2022.
[16] S. Natali, R. Maulidi, and R. Nurfitri, “Design Of Jasalindo Sport Promotional Media,” Mavis : Jurnal Desain Komunikasi Visual , vol. 4, no. 2, pp. 68–78, 2022.